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Sabtu, 29 Juni 2013

How to Read a Novel in One Day ????

How to Read Novel in One day????

Reading an excellent book can be an entertaining, fun, and educational experience. However, reading an entire novel in one day seems impossible. Not to worry! This how-to guide will assist you in doing just that- and having fun at the same time.
Find a book that you know you'll enjoy. The book you're reading has a lot to do with how motivated you'll be to finish it. If you don't have a perfect book you like or want to find one, make a list of your favorite hobbies, subjects, and genres. Visit your public library, and speak to a trustworthy librarian. Just by looking at your list, they may be able to suggest some good reads. You can also discuss this with friends and family. If these don't work,you may just want to explore your own shelves. Whatever book you choose in the end, make sure that the book is suitable for your preferences and reading ability. Be realistic. You do not want to choose a book that is extremely difficult to get through, or one that is boring for you. Choose a book that will make this an enjoyable, learning experience.

  1. 2
    Find the perfect reading area. The location of your reading is an important factor to consider. Try to pick a quiet, comfortable place where no distractions roam. Indoor or outdoor locations can both have their positive sides. Choose according to personal style. The place should not be crowded, busy or noisy- for that shall slow down the process. If you're reading with other family members in the house, kindly let them know where you'll be, and that you do not want to be disturbed.

  2. 3
    Grab a snack and some water. Since you'll not want to get up for food cravings, place a nutritious snack beside your reading spot. Junk food is not a good choice to make, because it will make you crave more (one or two chips is never enough), and you'll need to get up various times. This will disrupt the experience. Also make sure the snack is filling and refreshing. You'll need some water as well- reading can be tiring business, and you do not want to get dehydrated.

  3. 4
    Set the mood. This is mostly according to personal preference. You could play soft music in the background to make you more relaxed. Or you could dim the lights, and leave one single lamp on. Whatever makes you most comfortable, will benefit the reading experience. Experiment with different things until you find something to "set the mood".

  4. 5
    Open the book. Begin reading. Try to get caught up in the action, and forget where you are at the moment. This can make you want to read more, and enjoy the experience. Try not to take a break unless it's for the bathroom. Concentrate on the story and get caught in the moment.

  5. 6
    Take a break. After about an hour or two of reading, take a slight break. Refresh yourself and splash some water on your face. Reload on water and snacks. Have a chat with a family member. Jog for a little while. This will help you prepare for the next "round" of your reading time.

  6. 7
    Finish the book. Get back to your reading corner and complete the novel. When you are completely done, try to reflect on what you've read and the entire experience. You may want to reward yourself with a chocolate bar or a new perfume.

Tips

  • Just give it your all and if you don't complete the novel, just bear in mind that you tried your best.
  • If you fail to complete the book, do not fret. Understand that you tried your best.
  • Make sure you do your chores and other responsibilities throughout the day. It's a good idea to do this on a weekend, rather than a weekday since there's less to do and more free time.

Warnings

  • If you feel your eyes beginning to close, get some sleep. This may mean you overworked yourself. Never force yourself to keep going.
  • If you ever feel dizzy, get an intense headache, or experience any other discomfort, stop reading and take a break. You should not strain yourself too hard.
  • If you're no longer enjoying the experience, you may want to stop. You're not getting anything out of it, if you're not having fun.

Things You'll Need

  • Novel
  • Snack
  • Water
  • Soft music (optional)
  • Dim lamps (optional)

7 Critical of Reading Strategies

7 CRITICAL READING STRATEGIES

1.  Previewing: Learning about a text before really reading it.
Previewing enables readers to get a sense of what the text is about and how it is organized before reading it closely. This simple strategy includes seeing what you can learn from the headnotes or other introductory material, skimming to get an overview of the content and organization, and identifying the rhetorical situation.
 2.  Contextualizing: Placing a text in its historical, biographical, and cultural contexts.
When you read a text, you read it through the lens of your own experience. Your understanding of the words on the page and their significance is informed by what you have come to know and value from living in a particular time and place. But the texts you read were all written in the past, sometimes in a radically different time and place. To read critically, you need to contextualize, to recognize the differences between your contemporary values and attitudes and those represented in the text.  
3.  Questioning to understand and remember: Asking questions about the content.
As students, you are accustomed (I hope) to teachers asking you questions about your reading. These questions are designed to help you understand a reading and respond to it more fully, and often this technique works. When you need to understand and use new information though it is most beneficial if you write the questions, as you read the text for the first time. With this strategy, you can write questions any time, but in difficult academic readings, you will understand the material better and remember it longer if you write a question for every paragraph or brief section. Each question should focus on a main idea, not on illustrations or details, and each should be expressed in your own words, not just copied from parts of the paragraph.  
4.  Reflecting on challenges to your beliefs and values: Examining your personal responses.
The reading that you do for this class might challenge your attitudes, your unconsciously held beliefs, or your positions on current issues. As you read a text for the first time, mark an X in the margin at each point where you feel a personal challenge to your attitudes, beliefs, or status. Make a brief note in the margin about what you feel or about what in the text created the challenge. Now look again at the places you marked in the text where you felt personally challenged. What patterns do you see?  
5.  Outlining and summarizing: Identifying the main ideas and restating them in your own words.
Outlining and summarizing are especially helpful strategies for understanding the content and structure of a reading selection. Whereas outlining reveals the basic structure of the text, summarizing synopsizes a selection's main argument in brief. Outlining may be part of the annotating process, or it may be done separately (as it is in this class). The key to both outlining and summarizing is being able to distinguish between the main ideas and the supporting ideas and examples. The main ideas form the backbone, the strand that holds the various parts and pieces of the text together. Outlining the main ideas helps you to discover this structure. When you make an outline, don't use the text's exact words.
Summarizing begins with outlining, but instead of merely listing the main ideas, a summary recomposes them to form a new text. Whereas outlining depends on a close analysis of each paragraph, summarizing also requires creative synthesis. Putting ideas together again -- in your own words and in a condensed form -- shows how reading critically can lead to deeper understanding of any text.  
6.  Evaluating an argument: Testing the logic of a text as well as its credibility and emotional impact.
All writers make assertions that they want you to accept as true. As a critical reader, you should not accept anything on face value but to recognize every assertion as an argument that must be carefully evaluated. An argument has two essential parts: a claim and support. The claim asserts a conclusion -- an idea, an opinion, a judgment, or a point of view -- that the writer wants you to accept. The support includes reasons (shared beliefs, assumptions, and values) and evidence (facts, examples, statistics, and authorities) that give readers the basis for accepting the conclusion. When you assess an argument, you are concerned with the process of reasoning as well as its truthfulness (these are not the same thing). At the most basic level, in order for an argument to be acceptable, the support must be appropriate to the claim and the statements must be consistent with one another.  
7.  Comparing and contrasting related readings: Exploring likenesses and differences between texts to understand them better.
Many of the authors we read are concerned with the same issues or questions, but approach how to discuss them in different ways. Fitting a text into an ongoing dialectic helps increase understanding of why an author approached a particular issue or question in the way he or she did.

What is Critical Reading?

What Is Critical Reading?

To non -critical readers, texts provide facts.  Readers gain knowledge by memorizing the statements within a text.
To the critical reader, any single text provides but one portrayal of the facts, one individual’s “take” on the subject matter. Critical readers thus recognize not only what a text says, but also how that text portrays the subject matter.  They recognize the various ways in which each and every text is the unique creation of a unique author.
A non-critical reader might read a history book to learn the facts of the situation or to discover an accepted interpretation of those events. A critical reader might read the same work to appreciate how a particular perspective on the events and a particular selection of facts can lead to particular understanding.

What a Text Says, Does, and Means: Reaching for an Interpretation

Non-critical reading is satisfied with recognizing what a text says and restating the key remarks.
Critical reading goes two steps further.  Having recognized what a text  says , it reflects on what the text  does  by making such remarks.  Is it offering examples?  Arguing?  Appealing for sympathy?  Making a contrast to clarify a point? Finally, critical readers then infer what the text, as a whole,   means , based on the earlier analysis.
These three steps or modes of analysis are reflected in three types of reading and discussion:
  • What a text says     – restatement
  • What a text does    – description
  • What a text means – interpretation .
You can distinguish each mode of analysis by the subject matter of the discussion:
  • What a text says – restatement – talks about the same topic as the original text
  • What a text does – description – discusses aspects of the discussion itself
  • What a text means – interpretation — analyzes the text and asserts a meaning for the text as a whole

Goals of Critical Reading

Textbooks on critical reading commonly ask students to accomplish certain goals:
  • to recognize an author’s purpose           
  • to understand tone and persuasive elements
  • to recognize bias
Notice that none of these goals actually refers to something on the page. Each requires inferences from evidence within the text:
  • recognizing purpose involves inferring a basis for choices of content and language
  • recognizing tone and persuasive elements involves classifying the nature of language choices
  • recognizing bias involves classifying the nature of patterns of choice of content and language 
Critical reading is not simply close and careful reading. To read critically, one must actively recognize and analyze evidence upon the page.

Analysis and Inference: The Tools of Critical Reading

These web pages are designed to take the mystery out of critical reading. They are designed to show you what to look for ( analysis and how to think about what you find ( inference .
The first part —what to look for— involves recognizing those aspects of a discussion that control the meaning.
The second part —how to think about what you find— involves the processes of inference, the interpretation of data from within the text.

Recall that critical reading assumes that each author offers a portrayal of the topic. Critical reading thus relies on an examination of those choices that any and all authors must make when framing a presentation: choices of content, language, and structure. Readers examine each of the three areas of choice, and consider their effect on the meaning.

How to read a college textbook

HOW TO READ A COLLEGE TEXTBOOK


Whenever I ask my students how they read a chapter in their textbook, they usually give me that expression which politely says, "What are you talking about?" Behind that expression are two truths: 
(1) Most students read their textbook chapters starting on the first page and just continue on to the last page, and 
(2) rarely have they been taught any differently. Too bad. Reading a chapter from beginning to end is the least efficient, least effective way possible.
A textbook should be read differently than any other type of book.
Most students are passive readers. To get the most out of a chapter, students need to become active readers. Ask yourself this: what’s the most effective way to learn to change a flat tire, reading the owner’s manual or actually changing a flat tire? Believe me, you learn fast when you actually need to change a flat tire. Why is that? Because you involve several of your senses (sight, sound, muscle action—and quite likely speaking). In this situation, actually the most effective way is to read the owner’s manual first, and then to change the tire. The more of our senses we involve in anything, the more effective is our learning.
The same principle applies in reading a textbook chapter effectively. The more of our senses we can get involved, the more effective our reading will be. If you are accustomed to just reading silently and turning pages, that will sound strange. But changing that attitude will turn you from a passive reader into an active reader. Will reading a chapter as an active reader take longer? Yes, but not much. One payoff is in how much more you learn and especially how much more you remember. Another payoff is that when you need to review the chapter again for a test, reviewing will take a lot less time—when you need extra time. Have you ever turned a page and thought, "What did I just read?" That unhappy feeling doesn't happen to active readers.

A. 
Why check out a chapter before you begin reading? If you need to drive
somewhere but don’t know how to get to your destination, wouldn’t you first get directions or check out a road map? Previewing your route is an effective way of getting to your destination efficiently. Similarly, previewing a chapter gives you an idea of what the chapter is about and what its organization is.
There are generally three ways to preview, depending on how your
textbook is laid out.
(1) If your textbook has a summary at the end of a chapter, read the summary first.
(2) If your textbook doesn’t have a summary but does have subheadings in bold or italicized print, go through the chapter reading the subheadings.
(3) If the chapter has neither a summary nor subheadings, the procedure is a little more complicated. First, read the first paragraph or two until you come to the thesis statement—the sentence that tells what the chapter will be about. Underline this thesis statement. Then read the very last paragraph or two, where you will find the author’s conclusion. Underline the conclusion. Then compare the two underlined sentences, and you will have the main idea of the chapter. Now go back and underline the first sentence of each paragraph in the chapter. Usually these sentences will be the paragraphs’ topic sentences. Reading just these underlined topic sentences will provide the reader with an outline of the whole chapter.
The good news is that most textbooks do have summaries, so the first method listed above will be the most common one that you use.
Seeing the "whole picture" before you begin reading will help tremendously in your understanding of how parts of a chapter fit into the whole.

B
Educators from Socrates to those of us in the classroom presently, acknowledge the power of asking questions. You too can use the power of questioning in reading your textbooks.
The most useful aid in becoming an active, questioning reader are subheadings which are in bold print or italicized. Every time you come to one of them, pause and turn that subheading into a question. (For your questions, use the five "W’s" and one "H"--what, where, when, why, who, and how.) So, for instance,
The Battle of Gettysburg becomes
"Why was the Battle of Gettysburg important?"
The dangers of saturated fat becomes
"What are the dangers of saturated fats?"
George Spelvin becomes
"Who was George Spelvin?" or
"What did George Spelvin do?" or
any other question.
The big reason for doing this is that we remember more of what we read if we read to answer a question. Surprisingly, even if the textbook paragraph doesn’t answer the question we’ve made up, the learning effectiveness is still there.
One more thing: When you’ve turned a subheading into a question, say the question out loud to yourself. (Remember, the more of your senses you can get involved, the more effective is the learning.)
(Note: Some textbooks have study questions at the beginning or end of a chapter. Usually those questions are in the same order as the chapter’s material. If your chapter has a list of study questions, read the first study question out loud to yourself, then read the chapter until the question is answered. Then come back to the list of questions, read the next one…and so on, until you’ve finished reading the chapter.)

C.
O.K., now you have previewed the chapter. You’ve also learned how to turn subheadings into questions. Now you’re ready to read.
  • Are you accustomed to not writing in your textbooks? If so, forget it. Active readers write in their textbooks a lot.
  • Read at a rate that pushes you a bit. If running your finger under and a bit ahead of what your reading helps, do that—it’s a well-known technique for speed reading.
  • Did you read what you think is a key point? Put an exclamation mark in the margin (or any other mark which will identify key points for you).
  • Was there something that was unclear or something to which you’ll want to come back to study further? Put a question mark in the margin.
  • Write notes in the margins.
  • Underline or highlight what you think are key points. (Don’t go wild with underlining or highlighting, though; it then becomes meaningless.)
  • Circle words which you had to look up in a dictionary.
Textbook reading should be an active process.
  • When you have completed reading the paragraphs after each subheading, try to state in your own words a summary of what you just read. Say it out loud—even whispering is good if you’re in a quiet study area in a library. This is a critical step in learning from reading, and it does two things.
  1. It helps to fix the material in your mind, and
  2. If you can’t summarize what you just read, it’s a sure sign that you haven’t learned it, and that you should read it again.
It’s easy for you to kid yourself that you have learned the material just because you’ve read it. Easy, but wrong. You cannot remember what you don’t understand, and you can’t do effective reading further on if you don’t comprehend what you just read.
Reading, speaking, and writing, used together, use the fundamental principle that the more of your senses that are involved, the more effective the learning. Textbook reading should be an active process.

D.
When exam time comes, you will need to go back and re-read the chapters which will be covered on the exam. No one needs to tell you that this is pressure time.
If you have been an active reader as suggested above, then when the time comes to study for a test, you will be able to review the chapter(s) simply by reading the subheadings, noting the highlighted or underlined sentences, and recalling the summaries you said out loud earlier. Review thus becomes an efficient process, more than making up for the little bit of additional time it took to read the chapter as an active reader the first time through.
As stated earlier, most students have simply fallen into the bad habit of just reading a chapter from beginning to end because they haven’t been taught any differently. What’s the key word in that statement? Habit. One of the best ways of changing a bad habit is to replace it with a good habit. Usually that’s what is happening when you become an active reader, using the techniques and knowledge you have just read.
Textbook reading should be an active process. Become an active reader. You will be glad you did.


Promoting reading in school-aged children

Reading is an important part of your child’s overall health and well-being. Children who don’t learn to read well may have emotional and behavioural problems later in life. The skills your child learns early in life will help him well into adulthood. You can help your child develop good reading skills with these suggestions: Read to your child Make reading part of every day. Even just a few minutes will make a difference. It’s also a great way to create a special bond by spending time with your child. Continue to read out loud to your child even when he can read alone. Read books that are a bit above your child’s reading level, as long as they are books that he can still understand and enjoy. Read with your children. Children who are learning to read need to practice. If your child is doing well, regular reading at home is a chance for her to show off. If your child is having trouble, it provides a safe place to practice with someone she trusts. Be a role model. Your children should see you enjoying reading. If he sees you and other family members reading books, newspapers, and magazines, he’ll learn that reading is important, fun and valuable. 
Consider creating a special reading place in your home that is quiet and cozy. Keep books close to this area. Use rhymes, games and songs. Singing traditional songs and telling stories can all enhance your child’s learning opportunities. This can also be a great way to expose your child to other languages. Ask the experts for help. Teachers and librarians are good sources of advice for books that are right for your child’s age and reading level. Bookstore staff can be helpful too. Visit the library, and create one at home. Get your child a library card as soon as you can (even babies can get a library card!) Make library visits part of your routine. If there are more books than toys in the house, your child is more likely to pick up a book when there’s nothing to do. Limit screen time. Create time for reading by limiting the amount of time your child spends watching television or playing computer and video games. Give your child some control over who reads and when. It’s important to support your child if he decides to take on a longer book. Take turns reading, perhaps alternating paragraphs or pages. Or you can “act out” the story—your child can read the dialogue, and you can narrate by reading the rest of the text. Give your child a choice of books. Present a few books that are the right type and length for your child, and let him choose. If you don’t present a few options, he may not make good choices. 
Children might choose the biggest (or smallest) book, or the one with the most attractive cover. Students who are behind in their reading level may not want to be seen with a book that is “babyish,” so they may choose books that are too hard for them. And sometimes books for older students with low reading levels may be boring. A good strategy is to say, “You choose one, I choose one.” Keep a record of what your child is reading. Use an incentive chart to help encourage more reading, or keep a reading diary or simple list. In a reading diary, children can also write down their thoughts about the books. Encourage your child to keep her own reading list, which also lets her practice writing. Practice writing. Reading and writing go together. Children can practice their writing skills by making lists, keeping a journal, making a catalogue of their collections, or writing to friends and family, including e-mailing and texting (with parent supervision). If your child has trouble reading, choose stories that she can relate to. Look for stories they know or that offer experiences they can relate to or illustrations they recognize. Focus on meaning. Reading well is about understanding meaning, not just knowing how to say the words. If your child is stuck on a word, don’t just “sound it out.” Talk about the text and ask questions. Help your child figure out the word by re-reading the rest of the page, or looking at pictures. Try not to interrupt unless the mistake affects your child’s ability to understand the text. At the end of the paragraph or chapter, go back to words your child didn’t know or had trouble sounding out and review them together. If your child is an impatient reader, choose books that have movement. Books with short chapters or “cliff-hangers” encourage children to keep reading. Use sound effects and different voices to help keep the story interesting. Have fun with word play. Tell jokes with puns, and play games that involve words, like Scrabble, Boggle and hangman. Do crossword puzzles together. Play “I spy” with letter sounds instead of colours. Opportunities to read are everywhere. Encourage your child to read street signs, the back of the cereal box, or the sports pages of the daily newspaper. Your child might also enjoy reading non-fiction or comic books. Recipes help children learn to read for detail—leaving out just one ingredient can lead to disaster! Time on the Internet can also involve reading, but it is a good idea to always supervise time spent online. Monitor text media. Since they involve reading and writing, sending and receiving a text message or e-mail from a friend or relative can be a great way to learn to type and read. However, parents should make sure children are using the technology safely. Older children will need to be reminded that the informal style used for texting is not appropriate for school assignments. 
When should I call my doctor? Call your doctor if your child: has trouble paying attention when you read. was reading well but is now having trouble. is finding it hard to remember words that she should know. has any physical symptoms (i.e, pain, poor sleep) as well as struggling with reading. is having trouble seeing or hearing. is becoming frustrated or depressed by his struggle to learn to read. - See more at: http://www.caringforkids.cps.ca/handouts/promoting_reading_in_school_aged_children#sthash.BDcNwBng.dpuf

Children Reading

Children Reading 

Children Reading Scholars agree that reading pictures is indeed a multifaceted act. Further, children often look at illustrations more closely and "see" details in pictures (Kiefer, 1995) that are missed by "skipping and scanning" adults (Meek, 1988, p. 19). Several individuals have explored how children read images in text (Arizpe & Styles, 2003; Kiefer, 1995; Styles & Arizpe, 2001; Walsh, 2003). For example, Arizpe and Styles (2003) used three multilayered picture books to investigate how children ages 4-11 read visual texts. The researchers found that the children, who participated in individual and group interviews about the literature, were sophisticated readers of visual texts. 
The children "read colours, borders, body language, framing devices, covers, endpapers, visual metaphors and visual jokes" (p. 224). Walsh (2003) also examined children's reading of visual texts and found that the images in picture books evoked a variety of responses in the young children participating in her research. Kiefer's (1995) work also revealed how the illustrations in picture books influenced children's oral, written, visual, and representative responses. She used Halliday's (1969) work on functions of language to assist her in developing a taxonomy that described the children's verbal responses to various picture books. Kiefer's taxonomy also reflected the developmental differences she observed and recorded in the children's responses (p. 25). Reading picture books to children is a common pedagogical practice in many primary classrooms. Often, children are asked to create visual texts after picture book read-aloud sessions. In the study conducted by Arizpe and Styles (2003), the participants drew pictures in response to the three selections of children's literature. The researchers examined the literal understanding, overall effect, and internal structure of the children's drawings, and concluded that the children's drawings demonstrated "that even the youngest children can interpret, comprehend and communicate the visual-far beyond what they might be assumed to know" (p. 138).
Arizpe and Styles believe that the children developed "deeper understanding[s] through their visual explorations" (p. 138). Like Arizpe and Styles, and other researchers, I am interested in children's visual responses to literature, and how adults, especially teachers, "read" the pictures created by children. Do adults skip and scan as they look at the children's visual texts? Do teachers privilege students' written text over their visual text, therefore creating a binary opposition? Or do teachers consider the ecology of the children's work? One of the purposes of this article is to encourage adults to recognize and respect the interanimation of image and word (Lewis, 2001) in children's work. The student work described in this article was collected during a study that explored young children's responses to and interpretations of eight picture books with metafictive devices (Pantaleo, 2004, 2005). The article focuses on the first-grade children's visual and written responses to the picture books and describes the relationship between the students' visual and verbal texts with respect to storytelling. The article discusses the value of viewing children's work as miniature ecosystems (Lewis, 2001) and the importance of developing children's visual literacy skills.

Kamis, 11 April 2013

Theories of Reading So far, there are three main theories which explain the nature of learning to read. First, the traditional theory, or bottom up processing, which focused on the printed form of a text. (2) the cognitive view, or top-down processing enhanced the role of background knowledge in addition to what appeared on the printed page. Third, the metacognitive view, which is based on the control and manipulation that a reader can have on the act of comprehending a text, and thus, emphasizes the involvement of the reader’s thinking about what he is doing while reading. 1. The traditional bottom-up view The traditional bottom-up approach to reading was influenced by behaviorist psychology of the 1950s, which claimed learning was based upon “habit formation, brought about by the repeated association of a stimulus with a response” and language learning was characterized as a “response system that humans acquire through automatic conditioning processes,” where “some patterns of language are reinforced (rewarded) and others are not,” and “only those patterns reinforced by the community of language users will persist” (Omaggio 1993, 45-46). Behaviorism became the basis of the audio-lingual method, which sought to form second language “habits” through drilling, repetition, and error correction. Today, the main method associated with the bottom-up approach to reading is known asphonics, which requires the learner to match letters with sounds in a defined sequence. According to this view, reading is a linear process by which readers decode a text word by word, linking the words into phrases and then sentences (Gray and Rogers, cited in Kucer 1987). According to Samuels and Kamil (1988: 25), the emphasis on behaviorism treated reading as a word-recognition response to the stimuli of the printed words, where “little attempt was made to explain what went on within the recesses of the mind that allowed the human to make sense of the printed page”. In other words, textual comprehension involves adding the meanings of words to get the meanings of clauses (Anderson 1994). These lower level skills are connected to the visual stimulus, or print, and are consequently concerned with recognizing and recalling. Like the audio-lingual teaching method, phonics emphasizes on repetition and on drills using the sounds that make up words. Information is received and processed beginning with the smallest sound units, and proceeded to letter blends, words, phrases, and sentences. Thus, novice readers acquire a set of hierarchically ordered sub-skills that sequentially build toward comprehension ability. Having mastered these skills, readers are viewed as experts who comprehend what they read. The bottom-up model describes information flow as a series of stages that transforms the input and passes it to the next stage without any feedback or possibility of later stages of the process influencing earlier stages (Stanovich, 1980). In other words, language is viewed as a code and the reader’s main task is to identify graphemes and convert them into phonemes. Consequently, readers are regarded as passive recipients of information in the text. Meaning resides in the text and the reader has to reproduce it. The ESL and EFL textbooks influenced by this perspective include exercises that focus on literal comprehension and give little or no importance to the reader’s knowledge or experience with the subject matter, and the only interaction is with the basic building blocks of sounds and words. Most activities are based on recognition and recall of lexical and grammatical forms with an emphasis on the perceptual and decoding dimension. This model of reading has almost always been under attack as being insufficient and defective for the main reason that it relies on the formal features of the language, mainly words and structure. Although it is possible to accept this rejection for the fact that there is over-reliance on structure in this view, it must be confessed that knowledge of linguistic features is also necessary for comprehension to take place. To counteract over-reliance on form in the traditional view of reading, the cognitive view was introduced. 2. The Cognitive View (top-down processing) In the 1960s a paradigm shift occurred in the cognitive sciences. Behaviorism became somewhat discredited as the new cognitive theory represented the mind’s innate capacity for learning, which gave new explanatory power to how humans acquired their first language; this also had a tremendous impact on the field of ESL/EFL as psycholinguists explained “how such internal representations of the foreign language develop within the learner’s mind” (Omaggio, 1993: 57). Ausubel (cited in Omaggio, 1993: 58), made an important distinction between meaningful learning and rote learning. An example of rote learning is simply memorizing lists of isolated words or rules in a new language, where the information becomes temporary and subject to loss. Meaningful learning, on the other hand, occurs when new information is presented in a relevant context and is related to what the learner already knows, so that it can be easily integrated into one’s existing cognitive structure. A learning that is not meaningful will not become permanent. This emphasis on meaning eventually informed the top-down approach to L2 learning, and in the 1960s and 1970s there was an explosion of teaching methods and activities that strongly considered the experience and knowledge of the learner. These new cognitive and top-down processing approaches revolutionized the conception of the way students learn to read (Smith, 1994). In this view, reading is not just extracting meaning from a text but a process of connecting information in the text with the knowledge the reader brings to the act of reading. In this sense, reading is a dialogue between the reader and the text which involves an active cognitive process in which the reader’s background knowledge plays a key role in the creation of meaning (Tierney and Pearson, 1994). Reading is not a passive mechanical activity but purposeful and rational, dependent on the prior knowledge and expectations of the reader. It is not merely a matter of decoding print to sound but also a matter of making sense of written language (Smith, 1994: 2). In short, reading is a psycholinguistic guessing game, a process in which readers sample the text, make hypotheses, confirm or reject them, make new hypotheses, and so forth. Schema Theory Another theory closely related to top-down processing called schema theory also had a major impact on reading instruction. It describes in detail how the background knowledge of the learner interacts with the reading task and illustrates how a student’s knowledge and previous experience with the world is crucial to deciphering a text. The ability to use this schemata, or background knowledge, plays a fundamental role in one’s trial to comprehend a text. Schema theory is based on the notion that past experiences lead to the creation of mental frameworks that help a reader make sense of new experiences. Smith (1994: 14) callsschemes the “extensive representations of more general patterns or regularities that occur in our experience”. For instance one’s generic scheme of an airplane will allow him to make sense of airplane he has not previously flied with. This means that past experiences will be related to new experiences, which may include the knowledge of “objects, situations, and events as well as knowledge of procedures for retrieving, organizing and interpreting information” (Kucer, 1987: 31). Anderson (1994: 469) presents research showing that recall of information in a text is affected by the reader’s schemata and explains that “a reader comprehends a message when he is able to bring to mind a schema that gives account of the objects and events described in the message”. Comprehension is the process of “activating or constructing a schema that provides a coherent explanation of objects and events mentioned in a discourse” (Anderson, 1994: 473). For Anderson and Pearson (1988: 38), comprehension is the interaction between old and new information. They emphasize: “To say that one has comprehended a text is to say that she has found a mental ‘home’ for the information in the text, or else that she has modified an existing mental home in order to accommodate that new information”. Therefore, a learner’s schemata will restructure itself to accommodate new information as that information is added to the system (Omaggio, 1993).